The Production
A fool has set up his fairground booth. He catches images out of the air, tells crazy stories and plays pranks on his audience. Anyone who steps through the door of his booth enters a whole new world: a maze created by thousands of lights. Visitors become travellers: suitcases, doubling as peepshows, are waiting to be picked up and carried along. Figures who are also searching for their way live in the labyrinth: the prince who doesn’t want to be king; the bird woman who never gives up her dream of flying; the lamplight dreamer, who paints magical illuminated images from a foreign land, and asks visitors if they know the way there… Eight figures tell of their dreams, of failing to get any further, and of their tiny islands of happiness: poetic games on the way to the centre.

The labyrinth is open for three hours. The scenes are played continuously in a loop throughout this time.

The Idea
The Great Journeydescribes human beings’ voyage through life. The maze, a kind of labyrinth, is one of the oldest symbols of this journey; people walking in a labyrinth eventually arrive at the centre, at the heart, their own heart. The journey of life is reflected in heroes’ journeys, and forms the basis of many epics and classic Hollywood films; the hero sets out into the world hoping to survive his adventure. He returns home, shaped and matured, to do good there. The story of Theseus and the Minotaur in the labyrinth at Knossos is an example of how the link between the hero’s journey and the dramatic location of the labyrinth. Our production does not feature Minotaurs or heroic legends, but does offer visitors the chance to reflect on the Minotaurs in the labyrinths of their own lives. In an atmosphere created by thousands of candles, their thoughts soon turn into dreams filled with poetic imagery.

Do you want to find peace? Then simply breathe cautiously before a soft flame, calmly carrying out its task of providing light.
This advice comes from Gaston Bachelard’s The Flame of a Candle, a poetic, philosophical book about day-dreaming by candlelight. With his evocative language, Bachelard draws the ‘softly-lit reveries’ back into the human consciousness. Candlelit thoughts vaporise straight into daydreams; images flare up; the soul becomes calmer. The images are from another world: images which overlap the real, reminiscent of dreams, desires and stories believed lost, images of archaic power, many of which we know only from ancient myths. We have reached the sphere of reverie, which is alien to us yet also very close.

Anyone entering Theater Anu’s labyrinths is immediately transported into a state of reverie. It is almost impossible to evade the atmosphere of these enormous oceans of tiny lights. The audience travels through these worlds like sleepwalkers, encountering figures who tell of their dreams and desires, but who – much like any dreaming person – are not in a position to live them out.

Bachelard described a poetic image as a direct connection between one soul and another, as an encounter between two beings who feel happiness though speaking to each other in a poetic visual language they both understand.

We, Theater Anu, hope that the poetic images – ours as well as the visitors’ who travel through our world of tiny lights – will enable exactly this communication, will initiate a game in which two people can find happiness: us, as players, and you, as visitors. We have created a sphere of reverie in which we hope you will dream, during – and after – your night in the maze of candles.